GuitarHarmony

Chords

Chord inversion

A chord inversion is a chord whose lowest note is not the root: the third in the bass (first inversion), the fifth (second inversion) or the seventh (third inversion).

What is a chord inversion?

An inversion is defined only by the lowest note. Take a C major triad, C E G:

PositionBassNotes (low to high)Symbol
Root positionC (1)C E GC
1st inversionE (3)E G CC/E
2nd inversionG (5)G C EC/G

A seventh chord has one more: with the seventh in the bass, G7 becomes G7/F (3rd inversion). The order of the notes above the bass does not change the name of the inversion. The slash notation is the same one used for slash chords.

C major inversions on the top three strings

On the G, B and high E strings, the same triad shows up three times as you move up the neck:

Remember where the root sits in each shape: G string in root position, high E in 1st inversion, B string in 2nd inversion. That landmark is what lets you move each shape to any key.

Exercise: C, F and G without leaving the position

Instead of jumping from one chord shape to another, pick the closest inversions. Around the 5th fret, on the top three strings:

  1. C, root position: 5-5-3 (C E G)
  2. F, 2nd inversion: 5-6-5 (C F A)
  3. G, 1st inversion: 4-3-3 (B D G)
  4. C, root position: 5-5-3

The C on the G string stays put from C to F, and no note moves more than three frets. That is the core of voice leading: inversions let you connect chords by the shortest path.

Why use inversions?

Key takeaways

Frequently asked questions

What is the difference between an inversion and a voicing?

An inversion only tells you the lowest note. A voicing describes the whole layout: octaves, note order, doubled notes, omitted notes. Two different voicings can share the same inversion.

How are inversions written on a chord chart?

In pop and jazz, with a slash: C/E for the first inversion of C, C/G for the second. In classical harmony, figured bass numbers are used instead (6 for first inversion, 6/4 for second).

Can a song end on a second inversion chord?

Rarely. With the fifth in the bass, the chord sounds suspended, like a step on the way. You mostly hear it right before a dominant (C/G, then G7, then C) or as a passing chord.

Related terms

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